Culture change in the Church
Father Raymond J. de Souza, National Post
Published: Thursday, March 25, 2010
There has been much advice given to the Catholic Church in regard to the sexual abuse scandals. There are, though, only two real options. The Church can become more Catholic, or less Catholic.
Much commentary favours the latter approach. If the Catholic Church were to become less distinctively Catholic -- begin to teach as false what she now teaches as true, modify her traditional practices, adopt democratic modes of governance -- she would fix the problem. Though rarely put so bluntly, the advice to Catholics is to become more like Protestants.
The alternative is for the Church to become more fully who she already is--a preacher, a teacher, a mother, a mediator, a ruler. The sexual abuse scandals are a result of the Church's infidelity to her own identity and mission. That demands the response of being more Catholic, not less.
Obviously that's the case for the perpetrators of sexual abuse. Sin, especially such grievous sin and criminal activity, is a betrayal of the graces of baptism and ordination. The scandals, though, have been as much about a failure of governance and oversight; it's from the Greek for "overseer" that we get the word "bishop".
In the 1960s, like much of society and after the Second Vatican Council, the Church simply abandoned her disciplinary life. Doctrinal dissent was not corrected, but often celebrated. Liturgical abuses, both minor and outrageously sacrilegious, were tolerated. Bishops simply stopped inquiring into priestly asceticism, prayer and holiness of life. Non-Catholics often have an image of the Catholic Church as a ruthlessly efficient organization with a chain of command that would make the armed forces jealous. The reality for most of the 1960s to 1980s was the opposite. A priest could preach heresy, profane the Holy Mass, destroy the piety of his people and face no consequences. The overseers decided to overlook everything. It is any surprise, then, that when accusations of criminal immorality emerged they too were dealt with inadequately, if at all?
Pope Benedict, in his bluntly-worded letter to Irish Catholics last week wrote that the bishops "failed, at times grievously, to apply the long-established norms of canon law to the crime of child abuse." Too many bishops weren't Catholic enough. They failed, for example, to follow the clear direction of the 1983 Code of Canon Law that a cleric who commits sexual sin with a minor "is to be punished with just penalties, not excluding dismissal from the clerical state if the case so warrants."
A culture of laxity had so infected bishops that their disciplinary muscles had severely atrophied. It was not as if they were vigilant rulers in all aspects, but perversely indulgent of sexual abuse. Indulgence was shown to abuses of all kinds. So latitudinarian had the clerical culture become that even modest attempts at doctrinal discipline were widely mocked -- or do we forget that the progressive press, inside and outside the Church, calling Joseph Ratzinger "God's Rottweiler"?
The great task for the Holy See then has been to restore those disciplinary muscles. On doctrine, a universal catechism was issued in 1992 to make plain the orthodox teaching of the Church. In the liturgy, instruction after instruction has declared the age of endlessly inventive innovations to be over. The Holy See wrested control over translations of the Mass away from national bishops' conferences, deeming a failure three decades of rhetorically insipid, theologically dubious and linguistically dishonest work.
On sexual abuse? In the late 1990s Cardinal Ratzinger launched a review of how such cases were being handled. In 2001, he and Pope John Paul II lost patience. That year -- before, it should be noted, the explosion of the American scandals in 2002 -- local bishops were told they no longer could handle the canonical aspects of such cases on their own authority. All cases of sex abuse had to be reported to Rome. The age of majority was raised from 16 to 18, the statute of limitations was extended and often lifted altogether, and speedier dismissals from the priesthood were authorized. If local bishops would not govern, then the Holy See would intervene directly.
Like doctrine and liturgy, the attempt was to effect a culture change -- precisely because any existing rules are useless in a culture of laxity. It takes time to change a culture, but what does culture change in the Church look like?
Since 2001, Rome has dealt with some 3,000 cases stretching back a half century or more. Canadian bishops were ahead of the curve; since 1989 there have been strict protocols in place. The current one for the Archdiocese of Toronto requires reporting abuse to civil authorities within one hour. Just last week my superiors dispatched a letter to another diocese I intend to visit testifying to my probity -- including criminal checks, sobriety and soundness of morals. That's now routine.
On Tuesday, the American bishops released their annual national audit of all charges in the last year. It reports that there were 398 new allegations in the entire United States last year. Six of them were from current minors; the rest were older incidents only now being reported. Over 70% of alleged offenders are already deceased, suspended from ministry, or dismissed from the priesthood. In a Church of some 60 million Catholics, aggressive action has seen the problem reduced to six cases of alleged current abuse. That did not make the news.
The backlog from the sins, shame and secrecy of the past is still to be dealt with. It will take some time. The victims' pain endures, the Church's shame remains. The abdication of discipline in the Church has taken a terrible toll. Slowly though we are becoming more Catholic and restoring the years that the locust hath eaten.
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And these facts in response to Christopher Hitchens' unsuccessful attempted hatchett job.
Melbourne Latin Mass * The Mass in Latin in Melbourne Australia * The Novus Ordo Mass in Latin * The Roman Rite * Melbourne * Latin Novus Ordo * Tridentine Rite * Classical Roman Rite * Melbourne Gregorian Chant * Melbourne * Ad orientem * Melbourne * The Latin Mass * Melbourne * Extraordinary Form of the Roman Rite * Ordinary Form of the Roman Rite * Liturgical Renewal * Liturgical Reform * * The Glorificamus Society: promoting Reverence, the Sacred and Beauty in Catholic Liturgy *
Sunday, 28 March 2010
Monday, 15 March 2010
Prayers requested
Prayers are requested for a personal intention of the blog's authorship. Thank you and God Bless.
Monday, 1 March 2010
Veluti si Deus daretur: live as if God existed
"The attempt, carried to the extreme, to manage human affairs disdaining God completely leads us increasingly to the edge of the abyss, to man’s ever greater isolation from reality. We must reverse the axiom of the Enlightenment and say: Even one who does not succeed in finding the way of accepting God, should, nevertheless, seek to live and to direct his life “veluti si Deus daretur,” as if God existed. This is the advice Pascal gave to his friends who did not believe. In this way, no one is limited in his freedom, but all our affairs find the support and criterion of which they are in urgent need."
- Cardinal Ratzinger on Europe's Crisis of Culture (Part 4), Christianity: "The Religion According to Reason".
Monday, 15 February 2010
What Liturgy with the "Groups of Anglicans" uniting with Rome use? Bishop Peter Elliot has something to say.
Courtesy of The Anglo-Catholic (a must read on the journey of traditional Anglicans), is reported recent comments from Bishop Elliot covering the journey of Traditional Anglicans reconciling with Rome.
Importantly, Bishop Elliott includes some comments on the Liturgy to be used. Below are those excerpts, but see here for the full address entitled WHAT IS THIS “PERSONAL ORDINARIATE”?, Bishop Peter J. Elliott, Auxiliary Bishop of Melbourne, on Understanding Pope Benedict’s Offer to Traditional Anglicans, An address given to Forward in Faith Australia at All Saints’, Kooyong, Melbourne, on Saturday, February 13th 2010, together with comments from The Anglo-Catholic site.
Importantly, Bishop Elliott includes some comments on the Liturgy to be used. Below are those excerpts, but see here for the full address entitled WHAT IS THIS “PERSONAL ORDINARIATE”?, Bishop Peter J. Elliott, Auxiliary Bishop of Melbourne, on Understanding Pope Benedict’s Offer to Traditional Anglicans, An address given to Forward in Faith Australia at All Saints’, Kooyong, Melbourne, on Saturday, February 13th 2010, together with comments from The Anglo-Catholic site.
...A Postcript: The Future Liturgy of the Ordinariates
Anglianorum coetibus authorizes the Ordinariates to use books that carry the Anglican liturgical heritage: “so as to maintain the liturgical, spiritual and pastoral traditions of the Anglican Communion within the Catholic Church as a precious gift nourishing the faith of the members of the Ordinariate and as a treasure to be shared.” Note those last words. What the distinctive “Anglican rite” liturgy of the Ordinariate will be is yet to be worked out. When that project is completed it will need the recognition of the Holy See. But some speculation at this stage may be of interest.
Considering its history and strong influence in the first editions of the Book of Common Prayer, the Sarum Rite might well be a major source. Queen Mary I published a national edition of the Sarum Missal to replace all those missals for the diocesan uses that went into the fire when the first Book of Common Prayer appeared in 1549. Therefore the Sarum Use was the last version of the Roman Rite in England before the universal Missale Romanum, Roman Missal, was authorised by St Pius V in 1570. At the end of the nineteenth century when Westminster cathedral was being built, it was proposed that the Sarum Rite be revived as the use proper to the cathedral. Nothing came of this project, lost I suspect in the cross-currents of liturgical controversies and an Ultramontane trend to standardise liturgy along Counter-Reformation lines, even down to the shape of chasubles.
[TAC: In 1541 (eight years before the publication of the Book of Common Prayer), Henry VIII ordered Convocation to suppress the uses of York, Bangor, and Hereford and ordered the universal adoption of the use of the diocese of Salisbury (the “Sarum Use”). This Use was the sacred liturgy of the Mass elaborated by St. Osmund around the year 1085. St. Osmund had come over to England with William the Conqueror in 1066 and was consecrated bishop of Salisbury in 1079.]
The various editions of the Book of Common Prayer will obviously influence the preparation of this use for the Ordinariates. Yet a note of caution is necessary. Cranmer’s prose is majestic, but all his doctrine is not sound. Some editing will be needed to deal with expressions which are not in harmony with Catholic Faith, particularly those that come down from his severely Protestant 1552 edition of the Book of Common Prayer. In Anglo Catholic circles you have tried to manage these matters, as may be seen in the English Missal and the Anglican Missal.
[TAC: It should be noted that the American 1928 Book of Common Prayer was accepted for use in the Western “rites” of several Orthodox jurisdictions with only very minor emendations and additions. For any traditional edition of the Book of Common Prayer, the edits required should be minor; I believe that this concern gets blown out of proportion. The rites of the Prayer-book should be judged by the text alone — not by the questionable private theological opinions of her editors.]
I give one example that concerns me as a sacramental theologian. “Do this in remembrance of me” should never appear in a Catholic rite. “Do this in memory of me” is a more accurate rendering of the original languages and takes us away from “memorialism”. The meaning of the Eucharist as the great sacrificial Memorial is set out in the Catechism of the Catholic Church 1362-1367.
[TAC: I would counter that “remembrance,” “memorial,” and “in memory” are all interchangeable in this context; they certainly are in the Prayer-book and in the Authorized Version of the Bible. Any confusion should be resolved — as it has been amongst Catholic Anglicans for centuries — through catechesis rather than the mutilation of the text.
From The Catholic Religion by Vernon Staley (pp. 247-249):
The Holy Eucharist is a feast upon a sacrifice. The Body and the Blood of Christ are first offered to the Eternal Father, and then partaken of by the communicants. This offering is termed by St. Paul “the shewing the Lord’s death.”"
In saying “This do in remembrance of Me,” our Lord used words which here really mean,—
” OFFER THIS AS MY MEMORIAL BEFORE GOD.”
It has often been shewn that the word translated “do,” is very frequently used in the Greek Version of the Old Testament for “offer.” It is so used in the following passages to which the reader may refer for himself: Ex. xxix. 36, 38, 39, 41; Lev. ix. 7, 16, 22 : xiv. 19: etc. In each of these places, the word translated “offer,” is the same as that used by our Lord when He said, “Do this.”
The Greek word for “remembrance” has likewise a distinctly sacrificial meaning. It is used but twice in the Old Testament, and but four times in the New. Three times in the New Testament the reference is to the Holy Eucharist. Let us briefly examine the three remaining passages, where the Greek word 1 I Cor. xi. 23, etc. * Ibid. 26.
In Heb. x. 3, we read,—”But in those sacrifices there is a remembrance again made of sins every year.” The allusion is to the sacrifices offered yearly on the Day of Atonement. These sacrifices were offered to God, to procure pardon of the sins of the priesthood and of the nation. The high priest entered the Holy of Holies, where, unseen by man, he made “a remembrance of sins” before God. The same word is again used.
We have now examined the only three passages in the Bible in which the Greek word for “remembrance” is found, apart from the accounts of the institution of the Holy Eucharist. In each case it is used of A REMEMBRANCE BEFORE GOD, AND NOT BEFORE MAN; and it is only reasonable therefore to suppose that in those instances in which it is used of the Holy Eucharist, it is intended to express the same meaning which it has elsewhere in Holy Scripture, viz.; that of A MEMORIAL BEFORE GOD. That this is the true idea is confirmed by St. Paul’s words spoken of the Holy Eucharist,— “For as often as ye eat this bread, and drink this cup, ye do shew the Lord’s death till He come.” (I Cor. ix. 26.) In connection with this important subject the reader is asked to refer to what was said on pages 195, 196, concerning the relation which exists between the Eucharistic Sacrifice and our Lord’s pleading in heaven.]
Next year a new ICEL translation of the Mass of the Roman Rite will come into effect. More gracious poetic English will mean that the beauty of the language used in the Ordinariates will not clash with the banal and inaccurate old ICEL “translation” we currently endure.
[TAC: Deo gratias!]
Let me add that an “Anglican use” will add to the diversity of uses that already exists within the Roman Rite, starting with the two forms. “ordinary” (Novus Ordo) and “extraordinary” (Usus antiquior, traditional Latin liturgy), and including efforts to revive the uses of religious orders and regional uses. In Milan there are now two forms of the venerable Ambrosian Rite, ordinary and extraordinary. This variety is reported from time to time in the New Liturgical Movement website, also an indicator of Pope Benedict’s liturgical project and vision.
One dream of mine is that the churches of the Ordinariate will resound with fine music – from Stanford to Palestrina, from Vaughan Williams to Bruckner. We need the kind of music that gives greater glory to God and also “a treasure to be shared” by all Catholics.
Sunday, 14 February 2010
Has every Council of the Church been fruitful? No. According to someone who should know
"Not every valid council in the history of the Church has been a fruitful one; in the last analysis, may of them have been a waste of time. Despite all the good to be found in the texts it produced, the last word about the historical value of Vatican Council II has yet to be spoken."Ratzinger, Joseph. Principles of Catholic Theology: building Stones for a Fundamental Theology. San Francisco: Ignatius Press, 1987, p. 378.
It is often said that Lateran V is an example of a Council which, though valid, was not very fruitful. The Holy Father, in employing his Hermeneutic of Continuity (rather than Rupture) is trying to ensure that what is good in Vatican II is available for the benefit of the Church.
Missale Romanum: A new version for the Altar
Courtesy Rorate Caeli, we have this notification of how to get the new edition of the Messale Romanum for the Extraordinary Form (Missal of Blessed John XXIII (1962), available for the Vatican publishers: Pax Book [http://www.paxbook.com/algorithmiS/servusPrimus?]iussum=monstraScriptumEditum&numerus=31969
Thursday, 14 January 2010
Abbe' Franck Quoex (1967-2007): In Memoriam
Abbe' Franck Quoex: 1967-2007
We have not really paid tribute before to persons on this Blog. But the more we read about this holy priest, liturgist and academic - who, above all, was both a simple priest and one of the most significant liturgists in the Traditional Latin Mass and who died at a tragically young age of 39 - the more it seems deserving of bringing his life and work to the attention of our readers. So, please read his remarkable achievements from New Liturgical Movement.
Monday, 11 January 2010
The Myths of Church Music: an article from America
Courtesy of New Liturgical Movement, here is an American article by Father Christopher Smith published April 23, 2009, The Catholic Miscellany, entitled: "What are the Eight Myths About Church Music?: Dispelling eight myths about church music". We reproduce it in whole (with our emphases):
Myth 1. When it comes to music, there's no debating taste
Many people think that the choice of music for Mass is just up to the pastor and his musicians. Some parishes have more traditional music, others more contemporary. Many parishes have a little bit of everything under the sun.
Most Catholics know that there are laws which govern church structure and worship, but many are not aware that the popes often have set down rules for what music is admissible in church worship.
In 1967 the Vatican issued Musicam Sacram as the musical legislation binding in the Catholic Church since the Second Vatican Council.
Music for the Mass is not arbitrary. Certain texts are designed by their very nature to be sung, such as the Alleluia. Others, although they may be recited, lend themselves to congregational or choral singing, such as the responses and the ordinary texts of the Mass like the gloria.
The church does not issue blacklists stating that certain songs are prohibited, but she does offer general principles in her liturgical documents. While the treasury of sacred music is broad indeed, what is sung at Mass must be consistent not with the tastes of liturgy planners, but with the celebration itself. Bishops and pastors may rule that certain selections are inappropriate based on their content, associations, or irrelevance. Music at Mass is not based on what we like, but on what is appropriate for the celebration.
Myth 2. Music at Mass is just a nice addition; it's not like it's necessary or anything.
Vatican II’s Constitution on the Sacred Liturgy calls sacred music an integral part of the liturgy. It is not an embellishment unrelated to the rites. The verb “to sing” is one of the most frequently used words in the Bible. Christian liturgy in ancient times was always sung.
In the Eastern Churches today the entire eucharistic liturgy is sung. “Saying” Mass became popular around the Middle Ages when private Masses multiplied, such that a distinction was made even ceremonially between a Low Mass with no music or hymns and a Sung Mass where the actual texts of the Mass were set to music.
Vatican II provides for the principle of progressive solemnity. Depending on various situations, more or less of the Mass may be accompanied by music. A cathedral on Easter Sunday should be different than a private Mass on a weekday. But the church’s preference is always for sung liturgy. He who sings prays twice [He who sings WELL, actually], said St. Augustine, and the church’s prayer has inspired some of the most beautiful art and music in history.
Myth 3. Choirs are only there to support congregational singing.
In the early church, the faithful sang much of the Mass. There were, however, certain melodies and texts that developed over time that some found difficult to sing.
Choirs, or scholae cantorum, were developed with trained singers who not only supported congregational singing, but also performed some pieces on their own. Europe saw the development of famous choir schools and Catholic education has always included the teaching of music in its curricula. The advent of part-singing made choirs even more necessary to the Mass.
Choirs can be beneficial in leading the faithful in song, but they also can have their own role apart from the congregation. Active participation does not mean that everyone has to do the same things at the same time; it implies an interior participation by listening and contemplation as much as engaging in following the Mass and observing ritual gestures.
Paid professional cantors and choirs have been a part of the Catholic musical tradition for many centuries and continue to inspire Christians in their worship beyond what is accessible to the ordinary pew-singer. Vatican II explicitly urges the development of such choirs and musical education in schools.
Myth 4. We are supposed to sing four hymns at Mass.
Catholics in the United States have become used to singing a hymn at the entrance, at the offertory, during Communion and at the recessional at Sunday Mass. This “four-hymn sandwich” actually harkens back to pre-Vatican II days in which congregations who could not pull off Latin music were allowed to sing English hymns at Low Masses.
When English was allowed in the Mass and the rite of Mass changed, many parishes continued this practice, albeit often with different music. While hymns are allowed at Mass, they are not actually what the church asks for during those times.
The missal, the large book from which the priest reads the prayers at Mass, provides short scriptural sentences called antiphons for the entrance and communion. In the church’s legislation on sacred music, these antiphons have pride of place for singing in the Mass. The antiphons are intimately connected with the other prayers of each Sunday’s Mass. The church allows for substitutions with other appropriate songs, but they should be modeled in character after those antiphons.
Hymns are not a part of the Roman eucharistic liturgy; they belong more properly to the Liturgy of the Hours. The church prefers the antiphons drawn from the Bible to hymns composed by people.
Myth 5. Vatican II abolished Latin in the Mass.
Vatican II’s Constitution on the Sacred Liturgy states, “The use of the Latin language is to be preserved.” The council fathers commanded the use of Latin while allowing for some use of the vernacular.
The same document also calls for the faithful to be able to sing parts of the Mass together in Latin. Latin gives the church a universal language.
In an increasingly mobile culture of globalization, Catholics able to follow the Mass in Latin and in their own tongue can actively participate in their church anywhere in the world. The use of Latin also frees us from being too narrow-minded and too centered on our own nation or culture; it connects us with our history and paves the way for our future.
The point of Latin [one of: along with its own sacrality and beauty, which many, including Pope Paul VI recognised explicity whilst introducing the Novus Ordo] is not to make the rites impossible to understand; it is to make real the universality of the church.
One can often see people at international Masses who can all make the Latin responses and sing some things together in Latin. A powerful experience of the church’s unity is when we all sing with one voice the same words that Catholics have always sung at Mass.
Myth 6. The church does not have her own hymnal.
The Graduale Romanum is the official hymnal for the Roman rite. It contains Latin chants for the entrance, the Psalm and Gospel acclamation, the offertory and Communion, which are collectively called the Propers of the Mass, for every Mass of the year.
They also provide Latin chants for Lord have mercy, glory to God, the creed, holy holy holy and Lamb of God, collectively called the Ordinary of the Mass. Music at Mass should always refer to these texts.
What is called Gregorian chant is the music proper to the Roman rite and is the church’s own composition. Much of the music sung since ancient times was gathered by Pope St. Gregory the Great in the sixth century, and the church has amplified the texts from time to time.
The monks of Solesmes have done several critical editions of this hymnal, including one which can be used for the reformed liturgy. Pastors and musicians may provide for other music at Mass, and even develop other hymnals, but Gregorian chant has, as Vatican II tells us, pride of place in the liturgy. The Graduale Romanum is an indispensable tool for the church musician.
Myth 7. Chant is too hard for people today to sing.
There are two principal obstacles to chant today. Many people are no longer fluent enough in Latin to understand or even pronounce it properly, and even most musicians are unfamiliar with its notation.
Just as it takes practice and education to play an instrument well, it takes time and patience to learn the language and the markings of chant. There are resources for musicians to learn the chant properly, and teaching choirs and congregations chant may take time, but it will yield amazing results.
Many people sing things that are actually more difficult. Consistent effort will break down barriers and open up new possibilities for people to sing.
When Msgr. Martin Hellriegel became pastor of Holy Cross in St. Louis in the 1950s, nobody in his parish had ever heard chant. He started teaching the school children, and the adults were inspired to learn. Within a few years, his people knew several chant Masses and could sing out of the church’s official hymnal, the Graduale Romanum.
Dedication and perseverance gave the people confidence that they could sing Gregorian chant and many people today still know from memory the music they learned in the parish.
Myth 8. Music is supposed to make me feel good at Mass.[This is the biggie]
Music, especially at Mass, can be very powerful. The point of sacred music, though, is not to make us feel good. Sacred music accompanies the church’s rites to bring us beyond our own emotions and experiences to a transcendent experience of the divine.
The haunting beauty of the church’s traditional funeral music, for example, stresses the mystery of death and the hope of the resurrection. It is far superior to singing a loved one’s favorite radio tune as a memorial.
Because the Mass is an unbloody re-presentation of the one sacrifice of Calvary, music which is theatrical and which inspires us to the worldly or to the irreligious is inappropriate to the dignity of the liturgy.
The solemnity of the church’s music need not be boring or saddening, however. Sacred music can be a powerful tool in helping us see beyond ourselves to heaven.
All liturgy is essentially a revelation of God to us. If the music at Mass reveals more about what we like and what makes us happy, it is doing us a disservice. If it brings us to true prayer and helps us contemplate the beauty of God’s holiness and love, it can reveal God to us in amazing ways.
Father Smith is the parochial vicar at St. Francis by the Sea Church on Hilton Head Island and a member of the Church Music Association of America. He has directed chant scholas both in Italy and the United States.
Article by
Father Christopher Smith
Published April 23, 2009, The Catholic Miscellany, Used with Permission, June 1, 2009
Benedict XVI celebrates the Novus Ordo ad orientem again
Again, on the feast of the Baptism of Our Lord, the Holy Father, Benedict XVI has celebrated Holy Mass in the Ordinary Form ad orientem.
As these celebrations take place in the Sistine Chapel, the Holy Father is demonstrating that ad orientem is fine, remains part of our tradition and should be used.
Note:
- this is a "regular" Sunday celebration of Mass
- this is the Novus Ordo, not the Extraordinary Form
- this is celebrated in Italian, not Latin.
Slowly, more and more parishes the world over, taking their lead from the Holy Father, are turning to ad orientem worship for the Ordinary Form (Novus Ordo), for all the right reasons.
Other elements in continuity with tradition, can be noted from the pictures made available on New Liturgical Movement:
- the use of 4 deacons (2 deacons of the Mass and 2 cardinal deacons)
- the, by now, standard use of the universal law for the distribution of communion - those receiving from the Holy Father, receive on the tongue whilst kneeling at a prie-dieu.
- the vestments.
As these celebrations take place in the Sistine Chapel, the Holy Father is demonstrating that ad orientem is fine, remains part of our tradition and should be used.
Note:
- this is a "regular" Sunday celebration of Mass
- this is the Novus Ordo, not the Extraordinary Form
- this is celebrated in Italian, not Latin.
Slowly, more and more parishes the world over, taking their lead from the Holy Father, are turning to ad orientem worship for the Ordinary Form (Novus Ordo), for all the right reasons.
Other elements in continuity with tradition, can be noted from the pictures made available on New Liturgical Movement:
- the use of 4 deacons (2 deacons of the Mass and 2 cardinal deacons)
- the, by now, standard use of the universal law for the distribution of communion - those receiving from the Holy Father, receive on the tongue whilst kneeling at a prie-dieu.
- the vestments.
Saturday, 26 December 2009
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